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How'd they do that anyhow?Craig: Here we talk about a few miscellaneous, yet snappy sharp aspects of some of the artwork that was done for the game. One of my personal favorites (besides the Iron Ring forge) was the work to give George Dyke a megaphone. Tons o' fun. Hear no megaphone, see no megaphone, speak no megaphone.
Here he is in all his bull-horn glory.
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![]() 1) A square blank of metal
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![]() 2) The blank is stamped to become a squashed circle |
![]() 3) A hole is punched out of the circle |
![]() 4) Final forming stroke, where detailing is put on the ring |
Poof! Your Iron Ring is ready.
Here are the stages of development that the Iron Ring forge went through, before become the coolio 3D wonder it is today!
This is the first draft of the forge, penned
on the back of some Mech. 350 notes (Yes, I did pass the course, but barely) |
This "final" conceptual drawing was
actually done on the back of my BIOL 111 midterm exam. The design was done here,
just needed to be built. |
Thought I'd try colouring in the sketch and
test it out in the game to see how it looked. |
After many an hour building and animating it,
the forge was completed. A few minor revisions in form to make it fit onscreen
better took place. Yes, that is an omega when it swings in :) |
Once the concept was down, and the sketches made for how the forge should appear, all there was left to do was build it. Using 3D Studio MAX, I constructed a wireframe model. By "painting" on textures, I was able to assign colour and texture to the model. Later, just as a photographer would, I set up appropriate light-sources and cameras to illuminate the forge and film it.
The swinging and stamping motions were created by assigning key placements for the forge, like start and finish, as well as the stamp position, and allowing the computer to fill in the sequence. Much like a junior animator, the software helped create the transitional frames from one important action to another.
We thought a lot about this, a decided on something unexpected. The mystical nature of the powers that the Iron Ring conjures up, when directed towards someone who is not yet "seasoned" in the Queen's environment, cause a rather alarming change. The frosh are transformed into a more "primitive" yet symbolic gesture of Queen's spirit: sheep, and cows with the wings of eagles. I say no more.

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